FLUX 3 Max

A product film based on a three-keyframe timeline. Shot 0 opening: a matte black wireless speaker stands quietly on a concrete pedestal, soft top lighting, shallow depth of field, a low-key warm gray background. The camera moves slowly forward and slightly to the right; the speaker's fabric grille catches a faint sheen, and a thin ring of light glows around the base. By the midpoint, the camera has orbited to a three-quarter angle, the ring light gradually brightens, and a faint mist drifts and flows across the pedestal surface. In the final beat, the camera pushes in to a tight close-up of the glowing ring, focus shifts from the grille texture to the halo, and the light finally settles into a steady pulsing rhythm. Smooth continuous camera movement, no cuts, steady pacing, cinematic product-ad quality, 16:9, clean and restrained color grading.

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A dynamic design effects reel composed of four static keyframes: an energy pulse ring expanding outward from a dark center, a burst of glowing particles scattering outward, volumetric smoke rolling and flowing through a volumetric light beam, and a horizontal band of light sweeping across the frame. The camera is nearly locked off with only a slight push-in, transitions between beats are fast and continuous, particles carry motion blur, light wraps the edges of the frame, deep black background with cyan and warm amber highlights, high contrast, clean compositing, steady 24 fps rhythm, no text, no logos.

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A three-beat storyboard sequence, transformed into motion footage. Shot 1: at blue hour, a lone figure in a long coat stands at the edge of a rain-soaked city rooftop, static wide shot, neon lights reflecting on the wet concrete. Shot 2: a slow push-in, the figure turns toward the skyline, very shallow depth of field, drifting mist and fine rain, with a slight handheld shake. Shot 3: the camera rises into a crane movement, revealing the densely lit city below, the figure appearing small in frame, cool cyan tones contrasting with warm sodium lights. All beats maintain consistent lighting and color grading, cinematic 2.39:1 composition, film grain, smooth and continuous pacing, with natural motion blur.

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Turn the static comparison infographic into a short motion graphics piece. The infographic uses a clean dark-mode technical layout, with a title bar at the top, three vertical model comparison columns in the middle, and a small benchmark bar chart at the bottom. Camera: from the full infographic, push in very slowly and steadily to a slightly tighter framing, with subtle parallax between the title layer and the column layers; no rotation, no shake. Motion: elements settle in place, a thin highlight sweeps across once, passing over each column heading in sequence, and the bars of the bar chart grow slightly without changing their proportions. Fully preserve all text, numbers, and layout in the source image; do not invent or alter labels. Lighting: flat UI lighting, soft glow along the top edge, no lens flare, no particles. Mood: precise, analytical, developer-facing product explainer. Keep motion restrained and readable at 720p, 16:9, 10 seconds.

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A continuous single-take camera movement study inside a dim industrial photography studio: a lone figure in a dark coat stands with their back to the camera. It opens on a symmetrical wide shot, then slowly and steadily pushes in to the figure's shoulders; in the medium shot the camera drifts laterally to the right with a smooth tracking motion, revealing a long workbench and hanging cables; finally the camera tilts up and pulls back to form a high-angle wide shot showing the studio's full floor layout. Lighting stays consistent, with only one cool overhead light and a warm rim light, fine film grain, and shallow depth of field that gradually deepens as the camera pulls back. The pacing is steady and unhurried, no cuts, no whip pans, and the subject turns slightly but never faces the camera.

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A clean editorial-style tutorial cover animates in place: a flat deep navy background with a soft grid, a bold left-aligned title block area left empty on the left for later text overlay, and a demo panel on the right that begins as a clear static reference frame and then smoothly transitions into a motion-abstract video strip with subtle motion blur. The camera remains fixed, pushing in very slowly; typographic placeholders and panel outlines are progressively drawn in with precise staggered timing, a thin accent line sweeps across once, and then everything settles into a stable key visual layout. Minimal, technical, high contrast, cool cyan and white accent palette, soft studio lighting, no text, 16:9, smooth 24 fps pacing, ending with an ease-out.

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A 10-second commercial concept shot. It opens on a low-angle wide shot: a matte gray running shoe hovers above the wet asphalt of an empty concrete underpass, backlit and outlined by the afterglow of a cool-toned horizon, thin mist drifting, and a reflection on the water stretching toward the camera. The camera slowly pushes in and rises, tracking the shoe as the background lights smear into soft vertical streaks; the shot then transitions into a slow orbiting close-up around the silhouette, revealing the micro-texture of the mesh upper and a faint rim light along the edge of the sole. The overall mood is restrained, high-end product-film style: low-saturation cool tones, a single key light, deep shadows, slight film grain, shallow depth of field. Camera movement is steady and restrained, 24 fps, no text, no logos, no cut points.

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A two-keyframe explainer video for a prompt formula card. Frame A: a deep graphite card sits on a matte desktop, with four labeled blocks reading SUBJECT, ACTION, CAMERA, LIGHT, set in a clean sans-serif typeface with thin accent rules, soft upper-left studio lighting, shallow depth of field, 16:9. Frame B: the same card, now with each label filled in below by compact handwritten-style annotations, accent-color highlights, as the camera slowly pushes in and holds. Camera language: a slow, steady dolly forward with a gentle parallax shift between the two frames, no cuts, no whip pans. Pacing: calm, instructional, continuous motion, so the viewer reads the structure first and the details second. Lighting stays consistent across the two keyframes; the palette is graphite, off-white, and a single amber accent. Avoid text warping, avoid glyph flicker.

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