Lyria 3.5 Structured Prompts: Paragraph-Based Arrangement Guide Audio Examples

Based on the official Lyria 3.5 prompt guide, this piece uses a real generated multi-section vocal song to demonstrate the "structured description" approach: within a single music description, it declares genre and instrumentation, tempo and key, vocal language and singing character in sequence, and uses section markers to specify the order and function of the intro, verse, chorus, bridge, and outro. The author's pipeline input allows only one of "music description / lyrics" plus several optional control items; this work also provides a title, a 120-second duration, and a 96 BPM tempo string to illustrate how structured fields work together with the text description; section tags are written inside the lyrics field, thereby moving "structural planning" up to the prompt layer instead of relying on the model to infer it on its own. Use cases: as an audible reference when explaining the components of a Lyria 3.5 prompt (genre / instrumentation / mood / structure / vocal language) to developers; also suitable as a starting template for short-video soundtracks, podcast intros, and multilingual demos. The output is audio actually generated by the model; whether the sections are clearly distinct can be checked directly by listening to verify whether the prompt was written clearly.

Style Prompt Engineering · Structured composition · Multilingual vocals

Model Lyria 3.5

Try it yourself

Prompt

Try this model

A warm indie folk track, 96 BPM, D major, 120 seconds long: fingerpicked acoustic guitar and soft upright piano form the harmonic foundation, the first chorus adds a drum kit played with brushes, a sustained cello line underlies the bridge, and gentle chamber reverb runs throughout. English lead vocal, sung calmly with close-miked capture, with light harmonies layered on the chorus. Mood: contemplative, hopeful, unhurried. Structure: a short solo acoustic guitar intro; verse with only vocals and guitar; chorus with full band arrangement plus harmonies; second verse adds a piano counter-melody; bridge reduced to cello and vocals; final chorus presented with stacked harmonies; outro fades out over a solo acoustic guitar.

Lyrics:
[Intro]
(solo fingerpicked guitar)

[Verse]
Write it down before the sound
Name the pieces, name the ground

[Chorus]
Structure first, then let it breathe
Every section has its leave

[Bridge]
Strip it back to one low string
Hear what silence has to sing

[Outro]
(fade on solo guitar)

Copy the full prompt and adapt it for your own generation.